Posts Tagged ‘Arizona Theatre Company’

Hyatt Gets a Makeover; Actors Theater Awarded $150k

Thursday, August 19th, 2010

hyatt_phoenixThe Hyatt Regency Phoenix has recently completed an extensive renovation including upgrades to all guestrooms and a new lobby.  As reported by OldWestNewWest.com, the $15 million renovation also involved improvements to the fitness center, meeting space and the hotel’s iconic rooftop restaurant the Compass Arizona Grill. The Hyatt is located across from the West Entrance to the Phoenix Convention Center at 2nd Street & Adams.  For more information please visit Hyatt Regency Phoenix Hotel Completes $15 Million Renovation or take the time to stroll over and see the fantastic new Gensler-designed lobby.  It’s quite a sight.

HTC-prerenovationContinuing their long tradition of charitable giving to the state of Arizona and Downtown Phoenix interests, the Virgina G. Piper Charitable Trust recently awarded the Arizona Theatre Company and Actors Theatre of Phoenix a $150,000 grant.  The Arizona Theatre Company in Phoenix is based at the Herberger Theater Center between 2nd and 3rdStreets on Monroe.  The Herberger is currently undergoing an extensive renovation in celebration of its 20th birthday in October.  For more information on the Piper Grant please visit ATC and Actors Theatre of Phoenix Awarded $150,000. The Arizona Republic recently published a “Viewpoint” highlighting the influence of the Herberger Theater Center on the region over the past 20 years. Arizona Attorney General Terry Goddard is quoted as saying “All that came later to enliven and refresh Downtown Phoenix – theaters, museums, sports arenas, bars, restaurants, galleries – sprang from the inspiration and example of the Herberger Theater.”  To read the entire story, please visit:  Herberger Theater Influence Spreads Throughout Region.

Cool Happenings at the Herberger

Wednesday, March 31st, 2010

It’s never too early to start planning a weekend, especially when it comes to Arizona Theatre Company and the Herberger Theater Center. Add these events to your BlackBerry:

menagerieCOn Friday (4/2) at 7 p.m., you can be part of Voice and Vision: A Graffiti/Spoken Word Explosion at the Herberger Plaza. As part of a month-long campaign, the ATC has collected stories from staff, theater patrons, and community members describing times during which they “found their voices.” You can watch and listen as ATC staff and volunteers read these stories aloud while four talented artists paint a graffiti-art mural ignited by the personal stories they hear. Words, color, art, passion—all in one at the beautiful Herberger Theatre Center.

Then, on Saturday (4/3) at 1 p.m., don’t miss From Page to Stage featuring the ATC prop master, Paul Lucas. This event is also open to the public and will take place prior to the 2 p.m. showing of The Glass Menagerie. I’ll be at both events and can’t wait as the reviews for the play have been outstanding.

So, lots to do in Downtown Phoenix this weekend. Is this the coolest city or what?

For more information on these and other events, check out Arizona Theatre Company or Herberger Theater Center.

“Glass” Done with Class

Monday, March 29th, 2010

As someone who before Saturday hadn’t seen to a proper play in an alarming number of years, I possess neither the experience nor desire to break “The Glass Menagerie” down line by line.

However, what I can tell you with supreme confidence is that “Menagerie,” playing thru April 11 at Herberger Theater, is well worth the price of admission.

MenagerieResizedDirector Juliette Carrillo’s treatment of the Tennessee Williams’ classic–widely believed to be an autobiography of Williams’ life during his artistic awakening–is daring while giving the proper amount of respect to a classic.

1930s-set “Menagerie” is the story of the St. Louis tenement-dwelling Wingfield family–Mother and former Southern Belle Amanda with her false sense of entitlement and love of melodrama, and siblings Tom and Laura [played by Noel Joseph Allain and Barbra Wengerd, pictured left], older brother stuck towing the line as man of the house and awkward younger sister who alternates getting done in by physical and social limitations .

Desperate to erase her own life’s failures (most notably marrying “a telephone man who fell in love with long distance”) Amanda tries most unsuccessfully to will her children to happiness. And while the smothering mother celebrates the pending arrival of a long-awaited Gentleman Caller for her daughter, the audience is left to cringe with the knowledge that no good can come from the visit. Yes, true to Tennessee Williams form, “The Glass Menagerie” is a deep, character-driven tale.

In a twist, Carrillo forces the four-person cast (five if you count sensational violinist Jay Goldin) to begin the play on a naked stage, introducing the Wingfield apartment set piece by piece in a visual crescendo that compliments the rising action of the script. It’s a bold move that really worked for me. Carrillo also deserves a high five for getting more out of a cream-colored curtain than Martha Stewart.

Among the acting performances, Brian Ibsen’s turn as Gentleman Caller Jim O’Connor really stood out. His much-needed energy helped the story get where it needed to go at at time when the pace was lagging. Catalina Mayard (Amanda) also gets credit for keeping a generally abrasive character mostly sympathetic.

I could go on and on trying to impress you with how closely I paid attention but, again, this isn’t one of those reviews. The bottom line is that “The Glass Menagerie” is thought-provoking entertainment that leaves you wanting more.

An Interview with Lauren Lebowitz from [title of show]

Monday, February 8th, 2010

The hip and fun musical [title of show] comes to the Herberger Theater in Phoenix on Feb. 18, but I had the opportunity to interview one of its super-cool and über-talented actors before opening night: Lauren Lebowitz.

title_of_show[title of show]—yes, that’s really the title and not a typo—is a musical about two hyper-talented thirtysomething songwriters in New York trying to write a new musical about two hyper-talented thirtysomething songwriters trying to write a new musical. In New York.

Are you following me, Camera Guy?

In a nutshell, it’s a smart and endearing Cinderella tale about making it big in showbiz. It absolutely wowed Broadway critics and audiences last Fall, and we’re very lucky that the cast makes a stop in Phoenix.

Lauren Lebowitz’s resume, to say the least, is impressive. Just a few of her credits include appearing in last season’s ATC production of HAIR. She’s performed in national tours of FOOTLOOSE and GODSPELL. And she’s also toured with the USO (I’m so jealous!), even entertaining our troops with performances at Bob Hope’s 100th Birthday. Lauren is a graduate of the University of Michigan and the Royal Academy of Music and, if you’ve never heard her belt out a tune, you’re in for a treat. Her voice is as powerful as it is gorgeous. I can’t wait to see her in [title of show]!

LaurenLebowitzHere’s a little bit of my interview with her:

Q: Tell me a little bit about your character in [title of show].

“I play Susan. Along with Jeff, Hunter, and Heidi, we negotiate a musical theatre obstacle course of finding backers, casting singers, and making it to Broadway.  It’s hilarious.”

Q: Sounds fun! What do you like best about [title of show]?


“It’s an endearing musical with universal themes like how it’s important to conquer your insecurities to accomplish your dreams. It’s very motivating and full of energy. The audiences in Tucson, where we’re currently performing, have told us that they’ve left feeling motivated as well as entertained. Come with an open-mind!”

Q: Is the musical appropriate for younger audiences? Like my tween niece?

“There is some mature content, like language and some adult themes. However, the universal theme about not giving up on your dreams would apply to anyone in any age group. Anyone could relate to that message.”

Q: Okay, I see that you’re from New York City. Great time to be in Arizona!

“Yes, it’s nice to be back in Arizona, especially this time of year.”

Q: Besides our gorgeous weather, what else do you like about Phoenix?


“Guacamole! I must eat it five times a week. And Mexican food! I love Mexican food!”

*******************

Hey, I’ll be at [title of show] on Opening Night Feb. 20! You won’t want to miss this one at the Herberger. Hope to see you there! You can purchase tickets at www.arizonatheatre.org or by calling the box office at 602.256.6995. [title of show] will only be here till Mar. 7.

Be there, or be square!

AINT MISBEHAVIN Packs a Punch

Monday, January 4th, 2010

I saw “AIN’T MISBEHAVIN’” at the always lovely Herberger Theater on Saturday night. One word: Wow!

“AIN’T MISBEHAVIN’” is a Tony Award-winning celebration of the music of the incredible Thomas “Fats” Waller sung by four monstrously talented actors and a seven-piece orchestra. As an audience member, if your toe didn’t start tapping from the very first musical number, I would advise you to get your blood pressure checked. STAT.

misbehavinBorn in New York City in 1904, Fats Waller penned over 400 songs in his short life during the 1920’s, 30’s, and 40’s. He died, sadly, at the young age of 39. Many of his songs are still sung today and the cast of “AIN’T MISBEHAVIN’” belted out 30 of them during Saturday night’s Arizona Theatre Company production. Truthfully, I could have listened to 100 more.

The set for “AIN’T MISBEHAVIN’” was simple: a red velvet curtain, the orchestra seated on a platform, clearly visible. A round table with liquor bottles and shot glasses in the corners giving the illusion of a Harlem joint. Darkly painted walls. A glittery ball to cast shadows. Rebecca Covington, Angela Grovey, and Aurelia Williams wore bright, glamorous dresses and feathery hats from the early 20th Century while Christopher Morgan and Ken Robinson dazzled in three-piece suits, hats and suspenders. The keyboardist, Darryl Ivey, was dressed as Fats Waller and was as much a part of the production as the actors, especially during the first half of this two-act musical.  His piano and platform circled the stage.

As the actors performed each number, you really got to know Fats Waller through his lyrics, including the time periods in which he wrote them—Prohibition, the Great Depression, even WWII. He wrote soulful ballads, gleeful love songs, and jubilant melodies, all reflecting his lust for life. While it would be difficult to pick an absolute favorite, there were three ballads that reached deep inside and absolutely touched my soul: Honeysuckle Rose, I’ve Got a Feeling I’m Falling, and the haunting and beautiful Black and Blue.

Incredible talent. Amazing voices. Timeless songs. And right here in Phoenix.

You can check out tickets at www.arizonatheatre.org or by calling the box office at 602.256.6995. “AIN’T MISBEHAVIN’” will only be here till Jan. 17.

Don’t miss it!